Classic Men T-shirt

Gildan 5000
- 100% Cotton (fiber content may vary for different colors)
- Medium fabric (5.3 oz/yd² (180 g/m²))
- Classic fit
- Tear away label
- Runs true to size

$25.99 $22.99
Gildan 5000
Bella+Canvas 6400
Gildan 18500
Gildan 18000
Bella+Canvas 3501
Bella+Canvas 3005
Bella+Canvas 3480
Gildan 64000B
Rabbit Skins 3321
This show and the 2023 Travis Kelce Know Your Role Kansas City Chiefs shirt and I love this myriad responses it generated demonstrate that there is no good taste without bad, no real without faux, no haute couture triumph without fast-fashion excess. Within moments engineered for virality and earned-media value, we cannot allow these illusions to hijack our attention spans. The market forces worth fighting against are at once far less glamorous and way more powerful than the hellishly alluring visions of couture. Two years ago, Dr. Jill Biden became the first (and hopefully only) first lady to accessorize her inauguration day ensembles with matching face masks. Now, those emblems of the COVID-19 pandemic—along with Dr. Biden’s blue Markarian coat and dress and white embroidered coat and dress by Gabriela Hearst—have joined the Smithsonian’s popular First Ladies Collection. Showcasing over two dozen gowns worn by first ladies throughout American history, the exhibition includes Jacqueline Kennedy’s white Oleg Cassini inaugural gown, a 1780s dress owned by Martha Washington, and the ethereal, one-shouldered Jason Wu ensemble that Michelle Obama wore to the inauguration ball in 2009.
“This day is so much more emotional than I imagined it would be,” Biden remarked in Washington, D.C. on Wednesday, when the 2023 Travis Kelce Know Your Role Kansas City Chiefs shirt and I love this dresses were formally added to the collection. (She wore a blue and gold floral printed Markarian midi dress for the occasion, combining the color and embroidery of the two outfits she was there to honor.) And truthfully, the attitude at the presentation was both joyful and more reflective than one might expect. Though there was a definite grandma-core streak running through the fall men’s presentations, none were quite so story-specific as Maria Koch’s outing for 032c. Called Destiny’s Child, the collection was presented in the Peter Kilchmann gallery in the Marais district, where visitors were greeted by a video installation on loop and a Louise Bourgeois-adjacent spider lounging on a sofa. A literary reference to the writings of the Danish philosopher Soren Kierkegaard touched on leaping into the void, ignoring intention, and just trusting the outcome. More prosaically, it circled back to Koch’s mother who, for her 80th birthday, got her first tattoos: a circle, a triangle, a square, and a spider on her forearm.
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